ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 6月24日 04時01分

Read Edwidge Danticat’s moving meditation on Jacob Lawrence’s Migration Series, currently on view at MoMA, in @The New Yorker (link in our profile). “At the end of a week when nine men and women were brutally assassinated by a racist young man in Charleston, South Carolina, and the possibility of two hundred thousand Haitians and Dominicans of Haitian descent being expelled from the Dominican Republic suddenly became very real, I longed to be in the presence of Lawrence’s migrants and survivors. I was yearning for their witness and fellowship, to borrow language from some of the churches that ended up being lifelines for the Great Migration’s new arrivals. But what kept me glued to these dark silhouettes is how beautifully and heartbreakingly Lawrence captured black bodies in motion, in transit, in danger, and in pain.” #MoMAOneWayTicket [Jacob Lawrence. The Migration Series. 1940-41. Panel 3: “In every town Negroes were leaving by the hundreds to go North and enter into Northern industry.” The Phillips Collection, Washington D.C. Acquired 1942. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Photograph courtesy The Phillips Collection, Washington D.C.]

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