ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 5月29日 00時23分

Our current #EdgarDegas exhibition focuses on his experimental monotypes. In this printmaking process, the artist makes marks directly on a plate, which is then run through a press, leading to unpredictable results. Degas’s friend Marcellin Desboutin described the artist in 1876 as "no longer a friend, a man, an artist! He’s a zinc or copper plate blackened with printer’s ink, and plate and man are flattened together by his printing press, whose mechanism has swallowed him completely!" "Edgar Degas: A Strange New Beauty" is on view through July 24, 2016. [Edgar Degas (French, 1834–1917). The Ballet Master (Le Maître de ballet), c. 1876. White chalk or opaque watercolor over monotype on paper. Executed with Ludovic-Napoléon Lepic. Plate: 22 1/4 x 27 9/16 in. (56.5 x 70 cm), sheet: 24 7/16 x 33 7/16 in. (62 x 85 cm). @ngadc, Rosenwald Collection, 1964]

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