ブルックリン美術館のインスタグラム(brooklynmuseum) - 12月2日 07時13分


A sequence of black-and-white photographs of a six-part Frustula work on a kitchen table reveals #BeverlyBuchanan’s interest in, as she put it, the ‘‘inexhaustible number of ways in which and from which the composition is seen.’’ The idea that a single sculpture could afford multiple perspectives was a principal tenet in Minimalism during the 1960s and was later carried through to Post-Minimalism. #ruinsandrituals


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2016/12/2

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