"When I was in undergraduate school, there was a foundry, but they wouldn’t let the women actually do the bronze pours. My roommate and I were the first ones. There were a lot of times that one had to push. Sculpture itself felt like a male domain. So it felt like a feminist stance to be a sculptor." ... @jocelyn_miller_ interviews artist #BeckyHowland about her work at @MoMAPS1, 30 years ago and now in its #MarkLeckey survey (closing Sunday, March 5!). Read it at mo.ma/2mkFWLs ... [Becky Howland with her Transmission Towers #1–7 in P.S.1 Contemporary Art Center’s third-floor “Auditorium” in 1986. Photo courtesy of Peter Bellamy; Becky Howland. “Transmission Tower #1.” Installation view, “Mark Leckey: Containers and Their Drivers,” MoMA PS1, October 23, 2016–March 5, 2017]

themuseumofmodernartさん(@themuseumofmodernart)が投稿した動画 -

ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 3月5日 01時23分


"When I was in undergraduate school, there was a foundry, but they wouldn’t let the women actually do the bronze pours. My roommate and I were the first ones. There were a lot of times that one had to push. Sculpture itself felt like a male domain. So it felt like a feminist stance to be a sculptor."
...
@jocelyn_miller_ interviews artist #BeckyHowland about her work at @MoMAPS1, 30 years ago and now in its #MarkLeckey survey (closing Sunday, March 5!). Read it at mo.ma/2mkFWLs
...
[Becky Howland with her Transmission Towers #1–7 in P.S.1 Contemporary Art Center’s third-floor “Auditorium” in 1986. Photo courtesy of Peter Bellamy; Becky Howland. “Transmission Tower #1.” Installation view, “Mark Leckey: Containers and Their Drivers,” MoMA PS1, October 23, 2016–March 5, 2017]


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