The New Yorkerのインスタグラム(newyorkermag) - 5月6日 00時43分

In Justin Peck’s “The Times Are Racing,” the dancers wear sneakers, and the ballet is set to rock music. The choreography somehow pushes New York City Ballet’s perfect dancers into becoming fully human—tender, surprising, even awkward. It’s as if Peck is creating ballets about people trying to do ballet. Click the link in our bio to read Joan Acocella’s full review. Illustration by @cynthiakittler.

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