アカデミー賞のインスタグラム(theacademy) - 5月8日 03時37分

Jean-Pierre Léaud being filmed during a key moment from François Truffaut's "The 400 Blows" (1959). In 1984, during one of his last interviews, Truffaut admitted that he "can’t really say what the theme is—there is none, perhaps—but one central idea was to depict early adolescence as a difficult time of passage and not to fall into the usual nostalgia about 'the good old days,' the salad days of youth. Because, for me in any event, childhood is a series of painful memories. Now, when I feel blue, I tell myself, 'I’m an adult. I do as I please,' and that cheers me up right away. But then, childhood seemed like such a hard phase of life; you’re not allowed to make any mistakes. Making a mistake is a crime: you break a plate by mistake and it’s a real offense. That was my approach in 'The 400 Blows,' using a relatively flexible script to leave room for improvisation, mostly provided by the actors. I was very happy in this respect with Jean-Pierre Léaud as Antoine, who was quite different from the original character I had imagined. And as we improvised more, the film became more pessimistic, then—in brief spurts, as a contrary reaction—so high-spirited that it almost became optimistic."

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