ニュー・ミュージアム・オブ・コンテンポラリー・アートのインスタグラム(newmuseum) - 5月29日 00時04分

"Stout first encountered hoodoo when she was a child; in the Hill District of Pittsburgh, a woman everyone called Madame Ching lived in a row house with her name painted on the front window and watched people from her front stoop. 'She would stare at you like she was staring right through you,' Stout recalled. 'The young people were told to stay away from her. They thought she was weird. She seemed, in hindsight, a very lonely old woman.'" @doreenstfelix of @The New Yorker talks to artist Renée Stout about her work "The Rootworker's Table" and their personal memories of hoodoo practitioners. Read the article at the link in our profile, and see the work now as part of "@ragganyc: All the threatened and delicious things joining one another."

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