ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 6月22日 23時33分

The 1985 exhibition "Kurt Schwitters" was an extraordinarily comprehensive presentation of the career of this key modernist figure. A clear labor of love, it ranks among the most important shows organized by John Elderfield, who was MoMA’s Chief Curator of Painting and Sculpture and had written his dissertation on the artist. The exhibition explored the diverse breadth of Schwitters’s achievement, whose totality, wrote Elderfield in his benchmark-setting catalogue, is “extremely difficult to grasp.” It was replete with the evocative collages Schwitters made from found materials and for which he is best known. These were the product of a one-man movement he called Merz, a direct reaction to the chaos and destruction of World War I: “Everything had broken down and new things had to be made out of fragments,” Schwitters wrote, “and this is Merz.” Many works that were on view in this exhibition can no longer travel because of their fragility, making this the Schwitters show for all time.
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Read the out-of-print catalogue, see exhibition views, and more at mo.ma/52exhibitions. 41 of #52exhibitions #MoMAhistory #tbt

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