'This painting is a warning about what can happen if we don’t listen to our impulse to transcend our own human tendency to destroy' – Jill Lloyd, art historian. Hölle der Vögel (Birds’ Hell) was the first work that the late Max #Beckmann painted after fleeing Nazi #Germany in 1937. Beckmann’s dynamic brushwork depicts a decidedly bizarre, anti-natural scene – a topsy-turvy world of noise, violence, madness and mass hysteria. #Christies20thCentury – On view now at Christie's London. Access is free and open to all! Max Beckmann (1884-1950), Hölle der Vögel, 1937-38. 47⅛ × 63 in (119.7 × 160.4 cm). Estimate on request. Impressionist and Modern Art Evening Sale – 27 June at Christie’s London. © DACS 2017. #art #artist #artwork #artoftheday #painting #modernart #beckmann #maxbeckmann #colour

christiesincさん(@christiesinc)が投稿した動画 -

クリスティーズのインスタグラム(christiesinc) - 6月22日 23時35分


'This painting is a warning about what can happen if we don’t listen to our impulse to transcend our own human tendency to destroy' – Jill Lloyd, art historian.

Hölle der Vögel (Birds’ Hell) was the first work that the late Max #Beckmann painted after fleeing Nazi #Germany in 1937. Beckmann’s dynamic brushwork depicts a decidedly bizarre, anti-natural scene – a topsy-turvy world of noise, violence, madness and mass hysteria.

#Christies20thCentury – On view now at Christie's London. Access is free and open to all!

Max Beckmann (1884-1950), Hölle der Vögel, 1937-38. 47⅛ × 63 in (119.7 × 160.4 cm). Estimate on request.

Impressionist and Modern Art Evening Sale – 27 June at Christie’s London. © DACS 2017.

#art #artist #artwork #artoftheday #painting #modernart #beckmann #maxbeckmann #colour


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