#SpeakingInDance | In “Rubies,” the second gem of #GeorgeBalanchine’s 3-part ballet “Jewels,” @tessreichlen rules the stage like a glittering, mysterious temptress. “I feel that’s my ‘Mean Girls’ moment,” the @nycballet principal said. “I’m like, everyone just get out of the way. This is my stage.” The cool, long-legged #dancer isn’t like that in real life. “I’m usually the one who’s in the back corner, quiet,” she said. Teresa reprises her role tomorrow at the Lincoln Center Festival, where, in honor of the ballet’s 50th anniversary, @nycballet, @balletoperadeparis and @bolshoi_theatre unite to perform the 3 sections of “Jewels.” (The other gems are “Emeralds” and “Diamonds.”) For “Rubies,” set to Stravinsky’s jazz and Capriccio for piano and orchestra, Teresa’s renowned interpretation is a vision of austere, otherworldly power. In the past few seasons, she’s tried a different approach: not rehearsing it. “That gives it a different energy,” she told the @nytimes writer @giadk. “It feels risky, but then I get out there, and it’s OK.” She laughed. “Usually it’s OK.” @micaiahcarter, @directedbymax and @sortahype made this video for #SpeakingInDance, our weekly series exploring the world of #dance. (Please note: An original post of this video included music, but it was not timed with the dancer's movements. We have since reposted the video without sound.)

nytimesさん(@nytimes)が投稿した動画 -

ニューヨーク・タイムズのインスタグラム(nytimes) - 7月20日 06時19分


#SpeakingInDance | In “Rubies,” the second gem of #GeorgeBalanchine’s 3-part ballet “Jewels,” @tessreichlen rules the stage like a glittering, mysterious temptress. “I feel that’s my ‘Mean Girls’ moment,” the @nycballet principal said. “I’m like, everyone just get out of the way. This is my stage.” The cool, long-legged #dancer isn’t like that in real life. “I’m usually the one who’s in the back corner, quiet,” she said. Teresa reprises her role tomorrow at the Lincoln Center Festival, where, in honor of the ballet’s 50th anniversary, @nycballet, @balletoperadeparis and @bolshoi_theatre unite to perform the 3 sections of “Jewels.” (The other gems are “Emeralds” and “Diamonds.”) For “Rubies,” set to Stravinsky’s jazz and Capriccio for piano and orchestra, Teresa’s renowned interpretation is a vision of austere, otherworldly power. In the past few seasons, she’s tried a different approach: not rehearsing it. “That gives it a different energy,” she told the @ニューヨーク・タイムズ writer @giadk. “It feels risky, but then I get out there, and it’s OK.” She laughed. “Usually it’s OK.” @micaiahcarter, @directedbymax and @sortahype made this video for #SpeakingInDance, our weekly series exploring the world of #dance. (Please note: An original post of this video included music, but it was not timed with the dancer's movements. We have since reposted the video without sound.)


[BIHAKUEN]UVシールド(UVShield)

>> 飲む日焼け止め!「UVシールド」を購入する

8,454

90

2017/7/20

フェリシティ・ハフマンのインスタグラム

ニューヨーク・タイムズを見た方におすすめの有名人