ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 8月10日 23時37分


The controversial “High and Low: Modern Art and Popular Culture” was Kirk Varnedoe’s first major project as chief curator of Painting and Sculpture. The overarching aim of this exhibition was to trace the interrelationship of modern art to mass culture, establishing a lineage of discourse that ran from Picasso’s newspaper-based Cubist collages, through Andy Warhol and other Pop artists’ spotlight on the imagery of consumer culture, to the graffiti-inspired paintings of artists such as Keith Haring and Jean-Michel Basquiat. High and Low angered conservative critics with its commingling of fine and commercial art, a distinction that some considered immutable. One critic worried that “the very reason for the museum’s existence might soon be in doubt.” In retrospect, however, Varnedoe’s approach is understood to have enlarged public understanding of modern art, and his view that the relationship between art and popular culture is essentially porous has been influential and widely accepted.
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Read multiple out-of-print publications associated with this trailblazing exhibition and more at mo.ma/52exhibitions. 48 of #52exhibitions #MoMAhistory #tbt


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