CHARLES SHAAR MURRAY ON THAT LOW REVIEW “It’s about to be writ again...” As we mentioned in our focus on Low last week, it seems everybody was caught on the hop by the release of the album, not least of all RCA. All of the advertising and reviews appeared AFTER Low had been released. There wasn’t even a lead single preceding its release, which was practically unheard of. (Hunky Dory was the only other RCA Bowie album that didn’t have one.) Going by the lateness of the published reviews for Low, it almost seems that preview copies weren’t sent out. In fact, for many (in the UK at least), the first time they would have heard the recording was when John Peel played it in its entirety upon release, on his Radio 1 show. Once reviews started appearing, it was clear that this was an album that was going to spilt people. Among the great reviews there were some equally negative ones, not least of all, Charles Shaar Murray’s (CSM) in the NME. The magazine considered the release important enough to reserve a page and a half for two reviews, the other being by Ian MacDonald. CSM was well known to Bowie fans for always getting the scoop and authoring several fascinating and beautifully written Bowie features within the pages of NME. That’s Charles pictured with DB in happier times in Paris in 1973. It was possibly because Murray’s writing always seemed to be in praise of Bowie, that this particular review for Low was singled out. Indeed, he’s never been allowed to forget it, getting a national nose-rubbing for Francis Whately’s Five Years screening on the BBC, when he was asked to read out an excerpt. But rather than dwell upon that, forty years later (while not expecting a U-turn), we thought we’d give CSM the chance to at least explain what his mind-set was back then. Check it out here and read some of the more positive reviews while you’re there: http://smarturl.it/CSMonLowBNet #ANCIANTbox #ANewCareerInANewTownBox #BowieLow

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CHARLES SHAAR MURRAY ON THAT LOW REVIEW “It’s about to be writ again...” As we mentioned in our focus on Low last week, it seems everybody was caught on the hop by the release of the album, not least of all RCA. All of the advertising and reviews appeared AFTER Low had been released. There wasn’t even a lead single preceding its release, which was practically unheard of. (Hunky Dory was the only other RCA Bowie album that didn’t have one.) Going by the lateness of the published reviews for Low, it almost seems that preview copies weren’t sent out. In fact, for many (in the UK at least), the first time they would have heard the recording was when John Peel played it in its entirety upon release, on his Radio 1 show.
Once reviews started appearing, it was clear that this was an album that was going to spilt people.
Among the great reviews there were some equally negative ones, not least of all, Charles Shaar Murray’s (CSM) in the NME. The magazine considered the release important enough to reserve a page and a half for two reviews, the other being by Ian MacDonald.
CSM was well known to Bowie fans for always getting the scoop and authoring several fascinating and beautifully written Bowie features within the pages of NME. That’s Charles pictured with DB in happier times in Paris in 1973.
It was possibly because Murray’s writing always seemed to be in praise of Bowie, that this particular review for Low was singled out. Indeed, he’s never been allowed to forget it, getting a national nose-rubbing for Francis Whately’s Five Years screening on the BBC, when he was asked to read out an excerpt.
But rather than dwell upon that, forty years later (while not expecting a U-turn), we thought we’d give CSM the chance to at least explain what his mind-set was back then. Check it out here and read some of the more positive reviews while you’re there: http://smarturl.it/CSMonLowBNet
#ANCIANTbox #ANewCareerInANewTownBox #BowieLow


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