ニューヨーク・タイムズのインスタグラム(nytimes) - 10月23日 11時51分

Claes Oldenburg, 88, is one of the last remaining founders of the Pop juggernaut that plowed into art history in the early 1960s. His contemporaries — Warhol, Lichtenstein — are almost all deceased. As Claes approaches his 9th decade, he has slowed his once-furious pace of productivity, but he’s still at work on public projects and large-scale sculpture. He’s finishing a private commission in California called “Dropped Bouquet,” and he’ll have a show of new works at @pacegallery this month in New York City. Because of the impact of Claes’s work on successors as varied as @jeffkoons and Rachel Harrison, it’s easy to forget just how radical his work was when it first appeared. It expanded the definition of sculpture by making it somehow more human and more cerebral at the same time, "a feat that has kept it resonant in a rapidly changing art world," writes @bklynkennedy. Pieter Hugo took this portrait of #ClaesOldenburg at the downtown NYC studio he has kept since 1971, a 5-story warehouse where naval propellers were once manufactured, for #TGreats17, @tmagazine’s annual issue celebrating the people its editors admire. Visit the link in our profile to read about how the sculptor is (still) changing what art looks like.

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