ニューヨーク・タイムズのインスタグラム(nytimes) - 11月3日 21時48分

For decades, the artist Claes Oldenburg has been harnessing the everyday and turning it into the uncanny. Now, at 88, he has his first show of new works in 6 years, this one at @pacegallery in Manhattan. Claes (pronounced “kloss”) has become best known for large public projects that turn ordinary objects — a scoop of ice cream, a shuttlecock, a paintbrush — into monumental sculptures. It was in the early 1960s, “after a couple of years in New York,” that he started shifting away from painting as an artist. “Everything changed,” he said of that era. “You could paint a very beautiful picture of somebody and nobody would care. Everybody was doing something different. It was explosive, and it was the beginning of a new period of art. You could do almost anything.” The @pacegallery exhibition, “Shelf Life,” on view until November 11, is comprised of relatively small works made of cardboard, plaster, steel and wood. How long does it take to make them? “It takes as long as it takes,” the artist told @ニューヨーク・タイムズ. “I would say you put things together in maybe a week or two, and then pull them apart for a week, and then you find another idea that sneaks in and so on.” @sashafoto took this photo of #ClaesOldenburg in his Manhattan studio. Follow her to see more portraits.

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