ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 11月17日 01時08分

This year, art historian Robin Kelsey, considering the role of judgment in August Sander’s work, noted, “It is striking to me that although the portfolio is titled ‘The Judge and the Attorney,’ no photograph in the portfolio is captioned ‘The Judge.’ Are we to infer that the judges were expelled from the category bearing their name because of the extraordinary general complicity of the judiciary with the rise of fascism in Germany… Or are we to infer that adjudication is what brings us into the circuitry of the portfolio?”
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We are in the midst of the #AugustSanderProject, a five-year research initiative that explores Sander’s epic photographic survey of German society, “People of the Twentieth Century.” Each year we invite scholars and artists to reflect on one of the project’s 49 portfolios, and in honor of Sander’s birthday (on November 17, 1876) we are sharing excerpts from a few of these all week. Take a look inside this year’s symposium at mo.ma/augustsander.
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Image Credits:
[1] August Sander. “The Notary.” 1924.
[2] August Sander. “Amateur Advocate.” 1952.
[3] August Sander. “Attorney.” 1932.
[4] August Sander. “The Arbitrator.” 1919.
[5] August Sander. “Attorney.” 1931.
All works: Gelatin silver print. Acquired through the generosity of the family of August Sander. © 2017 Die Photographische Sammlung / SK Stiftung Kultur - August Sander Archiv, Cologne / ARS, NY

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