ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 12月2日 04時19分

“Today for #WorldAIDSDay, and every day for us, part of looking back at the vibrant, youthful, and diverse downtown cultural scene of the 1980s has been memorializing the generation of artists decimated by the AIDS crisis and recollecting the innovative, interdisciplinary creative activity they initiated. The works featured at #Club57NYC are among those commemorating the artists lost to the AIDS epidemic. Each piece is in its way—sinister, humorous, erotic, and poignant—an exploration of the gendered body that so characterizes this period. As a whole they testify to the unique legacy of spaces like Club 57, where empowerment resulted from the intersection of art-making and socializing in the downtown community of New York.”
—The ”Club 57” Curatorial Team
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IMAGE CREDITS: Stefano Castronovo (Italian, born 1950). “Klaus Nomi [unfinished at the time of Nomi’s death from AIDS].” c. 1983 Oil on canvas, 90 9/16 x 51 15/16” (230 x132 cm). Collection the artist
David Wojnarowicz in a video still from “Listen to This,” 1992. Created by Wojnarowicz and Tom Rubnitz. The Museum of Modern Art, New York. Purchase funds provided by the Contemporary Arts Council
Adolfo Sanchez (American, born Cuba 1957-1990). “Self-portrait montage.” c. 1981. Enamel and marker on printed copy paper, 28 x 43” (71.1 x 106.7 cm). Collection Min and Oliver Sanchez.
Adolfo Sanchez (American, born Cuba 1957-1990). “Embellished Weber poster.” 1985. Marker on printed poster, 30 x 20 1/2” (76.2 x 52.1 cm). Collection Min and Oliver Sanchez
Parker Dulany (American, born 1958). “The World.” c. 1982. Oil on linen, 71 x 52” (180.3 x 132.1 cm). Collection the artist

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