リトル・ブーツのインスタグラム(littlebootsmusic) - 1月11日 05時01分

“It was a conscious decision [to work with women], because for a long time I'd been wanting to do an all-female/ femme project. I've been doing this for nearly a decade, and I've worked with so many producers and writers who're amazing, but the whole time I've worked with one female producer. Still, female producers are a huge rarity in comparison to men. The imbalance is insane, and I'm like, Why is that? It's not because girls aren't good at production. Is it because there aren't enough role models? Once I started digging around, I realized a lot of my favorite DJs at the moment are women, so I was like, Why can't I see if I can make this work? It became this really great, inspiring framework, and it's so important to put a spotlight on female/ femme talent — especially when they're not the face of the project. If you're a producer in a dark room, you're not going to get a spotlight shone on you. When I read a lot of commentary on things in this space, there's a lot of talking and not a lot of action. People talk about the imbalance, but go work with female producers or go make 50 percent of your bill women. Go and put a women on the cover of DJ Mag or [your] billboard. Be proactive rather than saying, "This is a problem." I'm hoping 2018 is the year of action.”
Swipe for more of the exclusive interview with @papermagazine about my new EP or read in full link in bio ?
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#womeninmusic #womenmakemusic #feminism #girldjs #femaledjs #girlsondecks #femaleproducers #womenproducers #femaletalent #thefutureisfemale #girlpower #girlshelpinggirls #musicproduction #dancemusic #housemusic #electronicmusic

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