ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 1月23日 00時48分

Louise Bourgeois’s “À l'Infini” series consists of womb-like, all-embracing large scale works. Her publisher Benjamin Shiff, notes that this “and other large projects that Louise made during that period are supposed to take the viewer over and be completely immersive. You see phallic shapes, you see eggs, you see veins, you see string theory, you see wombs holding little babies, sacks filled with liquid.”
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We are in the final week of #LouiseBourgeois! Exhibition closes January 28.
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Images: Louise Bourgeois. Nos. 1, 5, and 10 of 14 from the installation set “À l'Infini”. 2008. Soft ground etchings, with hand additions. Purchased with funds provided by Agnes Gund, Marie-Josée and Henry R. Kravis, Marlene Hess and James D. Zirin, Maja Oeri and Hans Bodenmann, and Katherine Farley and Jerry Speyer, and Richard S. Zeisler Bequest (by exchange). © 2018 The Easton Foundation/Licensed by VAGA, NY.

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