ニューヨーク・タイムズのインスタグラム(nytimes) - 2月3日 03時59分

@dashboardconfessional’s 2003 album, “A Mark, a Mission, a Brand, a Scar,” and its 2006 album, “Dusk and Summer,” both went to No. 2 on the Billboard 200, perhaps the symbolic peak of emo’s pop breakthrough. @chris_carrabba’s songs — scarred wails pulsing with nervy punk energy — were among the genre’s most recognizable, but all that wailing took its toll. In 2009, @dashboardconfessional released what @chris_carrabba felt might be the band’s sixth and final album, “Alter the Ending.” He was tired, and the scene he’d helped build had seemingly run its course. But a few years ago, emo began to experience a revival. Younger bands embraced @chris_carrabba as a touchstone. Some, like @nothingnowhere, asked for collaborations, bringing him into a modern sound that built a hip-hop hybrid on his emo foundation. Then @chris_carrabba says, “I woke up one morning and I walked downstairs and I wrote a song, and it was evident from the first melodic idea that this was a Dashboard song.” The next morning, he woke up and bolted for his guitar. “After all that time I’d begun to wonder if they’d ever come back, and when they came back they came back in rapid succession,” he says. “The whole thing was a cavalcade and I just surrendered to it.” On Friday, @dashboardconfessional will release “Crooked Shadows,” its seventh album and first since 2009. @nate_nate took this portrait of #ChrisCarrabba last month. Visit the link in our profile to read our full interview with the #DashboardConfessional frontman.

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