グッゲンハイム美術館のインスタグラム(guggenheim) - 3月8日 23時49分

Doris Salcedo makes searing sculptures from everyday items that bear witness to the atrocities enacted by the government of her native Colombia. A delicate carpet of sutured rose petals, “A Flor de Piel,” 2011-12, pays silent tribute to a female nurse who was violently tortured and killed for being part of the resistance. In earlier, furniture-based sculptures, such as “Untitled,” 2008, the voids of which are filled with concrete, Salcedo represents the cultural muting enacted by an authoritarian government that punishes dissent and disappears its detractors. For Salcedo, art is an act of protest and, perhaps, more importantly, an attempt at healing. Her quiet, aesthetic activism speaks volumes today as fascistic governments around the world are fortifying their grip on power, threatening the very civil liberties that allow free expression to flourish.
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