#VogueCulture 搶先預覽 仙氣十足的Erdem為倫敦皇家芭蕾舞團設計了什麼樣的服裝? “Someone being able to lift their leg above their head wasn’t something I had to think about when designing my last collection,” says @Erdem, on designing costumes for the @royaloperahouse production, Corybantic Games. The brand new work by choreographer Christopher Wheeldon (@wheeldony) is part of a triple bill to celebrate the centenary of composer Leonard Bernstein’s birth. In the naturally lit Margot Fonteyn studio, principals Lauren Cuthbertson (@londonballerina) and Ryoichi Hirano (@riohirano) dance around each other sculptural and delicately interlacing movements, echoing @erdem’s Grecian-inspired bodices with their graphic velvet crisscross ribbon details. They are accompanied by the gentle sound of “Serenade (after Plato’s Symposium)” on piano, which Bernstein composed in 1954. “With Erdem, I wanted [the costumes] to draw on some of the airy parts of the music - the poetic qualities - but keep the body clean for the movement,” Wheeldon tells Vogue about the collaboration. “There are some knotty cross rhythms and it’s quite angular, so I wanted a combination of softness and angles and I think he has done a really fabulous job in delivering that.” See the rehearsals and #voguefirstlook at the costumes in our Stories #ROHBernstein ? @lucbraquet_ Music: Bernstein’s “Serenade (after Plato’s Symposium)” / Bernstein Foundation Choreographer: @wheeldony Dancers: @londonballerina @riohirano @erdem @royaloperahouse

voguetaiwanさん(@voguetaiwan)が投稿した動画 -

Vogue Taiwan Officialのインスタグラム(voguetaiwan) - 3月15日 15時32分


#VogueCulture
搶先預覽 仙氣十足的Erdem為倫敦皇家芭蕾舞團設計了什麼樣的服裝? “Someone being able to lift their leg above their head wasn’t something I had to think about when designing my last collection,” says @アーデム, on designing costumes for the @royaloperahouse production, Corybantic Games. The brand new work by choreographer Christopher Wheeldon (@wheeldony) is part of a triple bill to celebrate the centenary of composer Leonard Bernstein’s birth. In the naturally lit Margot Fonteyn studio, principals Lauren Cuthbertson (@londonballerina) and Ryoichi Hirano (@riohirano) dance around each other sculptural and delicately interlacing movements, echoing @アーデム’s Grecian-inspired bodices with their graphic velvet crisscross ribbon details. They are accompanied by the gentle sound of “Serenade (after Plato’s Symposium)” on piano, which Bernstein composed in 1954. “With Erdem, I wanted [the costumes] to draw on some of the airy parts of the music - the poetic qualities - but keep the body clean for the movement,” Wheeldon tells Vogue about the collaboration. “There are some knotty cross rhythms and it’s quite angular, so I wanted a combination of softness and angles and I think he has done a really fabulous job in delivering that.” See the rehearsals and #voguefirstlook at the costumes in our Stories #ROHBernstein ? @lucbraquet_
Music: Bernstein’s “Serenade (after Plato’s Symposium)” / Bernstein Foundation
Choreographer: @wheeldony
Dancers:
@londonballerina
@riohirano
@アーデム
@royaloperahouse


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2018/3/15

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