ニュー・ミュージアム・オブ・コンテンポラリー・アートのインスタグラム(newmuseum) - 3月20日 00時21分

As an art student, Zimbabwean artist Gresham Tapiwa Nyaude (@gnyaude88) was keenly aware that he was learning an imported medium, carried into his country by way of colonialism. Missionaries introduced painting and sculpture to Zimbabwe in the 1930s, and young men were taught the former in mission schools, with an eye toward producing religious paraphernalia and church decoration.
Still, Nyaude admired the potency of painting and embraced the challenge of developing ideas that could speak directly to his own culture while inserting himself into the broader context of art history. The result is paintings that seek to tell Zimbabwe’s story with authenticity, and to reclaim its history from the inside.
See this and other paintings by Nyaude in our #2018Triennial, #SongsForSabotage.
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Gresham Tapiwa Nyaude, "Privilege of the Bed-ridden," (2018). Oil on canvas, 51 1/4 x 35 1/2 in (130 x 90 cm). Courtesy the artist and First Floor Gallery Harare

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