ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 7月3日 03時39分

Sigmar Polke joins the #TheLongRunMoMA. Explore our newly installed gallery capturing the restless experimentation that characterized the artist’s career. Never limiting himself to a single medium, Polke studied painting in West Germany in the 1960’s, apprenticed at a glass factory, and focused much of his attention on printmaking. The painting “The Goat Wagon” (1992) features the artist’s signature raster dots—a technique typically used in mechanical reproduction—that Polke rendered here in paint, by hand, with the help of a stencil.
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Artworks by #SigmarPolke
[1] “The Goat Wagon.” 1992. Synthetic polymer paint on printed fabric. Gift of Werner and Elaine Dannheisser. © 2018 Estate of Sigmar Polke / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn, Germany
[2] Foreground: “Untitled, Number 5.” 1988. Oil on fabric, wood stand and frame. Gift of Werner and Elaine Dannheisser. © 2018 Estate of Sigmar Polke / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn, Germany
Background: “Untitled (Dancer).” 1994. Gouache on paper. Gift of Jo Carole and Ronald S. Lauder. © 2018 Estate of Sigmar Polke / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn, Germany
[3] “Untitled from Full Moon in Aries (Vollmond im Widder)” (detail). 2004. Portfolio of forty screenprint and lithographs. Gift of Kathy and Richard S. Fuld, Jr. © 2018 Estate of Sigmar Polke / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn, Germany

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