アンバー・タンブリンのインスタグラム(amberrosetamblyn) - 7月14日 04時16分

Thank you, RollingStone for this feature on #AnyManNovel and difficult conversations surround sexual assault. Link in my bio.::::::::: “With Any Man, Tamblyn’s female serial rapist is an antagonist known only as “Maude,” who’s given a handful of pages to explain herself, but doesn’t bother to. She gives no reason as to why she brutally and horrifically attacks six men in ways that range from sodomization with a broom to penis removal through rough sex to using a cat to perform fellatio. “She’s never really caught and she’s also never really identified,” Tamblyn says. The only piece of evidence Maude leaves behind is a six-foot-long piece of white hair that brings back no matches, which only helps to mythologize her in the press. The truth is, there’s no reason behind what she’s done. She isn’t getting revenge on a father, a husband, or a john, her actions are “really seeded in being a sociopath. It was rooted in power,” Tamblyn says, “I can do it because I can, because I have the privilege to do so.”
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Tamblyn didn’t want to give Maude an excuse for her actions that would lead readers to sympathize with her and turn her into an anti-hero. It’s why the majority of the book’s 269 pages focus on Maude’s victims coming to terms with their trauma through poetic prose, OkCupid messages and a transcript of a program with a Nancy Grace-like host that’s taken nearly word-for-word from an actual transcript of Grace’s show. (Tamblyn says she just switched the pronouns.) In one section, Tamblyn covers the sexual assault of a transgender man named Michael Parker entirely through the tweets from celebrities like Katy Perry, Kanye West and Bill O’Reilly, who turn the tragedy into a hashtag. He’s the only character who isn’t given the opportunity to tell his own story, a commentary on the silencing of trans people. “Just to see on paper what it looks like when you take someone’s life away, take someone’s narrative away so radically,” Tamblyn says. “That was really a stomach churning writing process...”

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• Rolling Stone