TIME Magazineのインスタグラム(time) - 8月9日 21時05分

@officialspikelee, under a hat that reads BLACKA, with each A replaced by a Klansman’s triangular white hood, is a subversive walking advertisement for both #SpikeLee and his new film, @blackkklansman, out Aug. 10. Based on the early-1970s true story of Ron Stallworth, the first African-American detective to work for the Colorado Springs police department, the film centers on Stallworth (played by John David Washington) and a veteran Jewish cop (played by Adam Driver) as they find a unique, and risky, way to infiltrate the #KuKluxKlan. #BlacKkKlansman which came to Lee by way of @jordanpeele, a producer on the film, is Lee’s most critically heralded and accessible effort in over a decade. The film represents another opportunity for one of society’s most distinctive voices to make a statement at a time when America’s politics on race and identity are at their most fractured in a generation, writes @rembert, the author of this week’s cover story. The film is also being released on the anniversary of a white-supremacist rally in #Charlottesville, Va., and a counterprotest that resulted in the death of 32-year-old Heather Heyer, after a Nazi supporter drove a car into the protesters. Footage from Charlottesville serves as the film’s coda, a necessary gut punch both for those who internalized the film as another dark reminder of our country’s history and those who wrongfully spent two hours treating it as a buddy-cop comedy. The timeliness of the film—and its early acclaim—has prompted many people to declare that Spike Lee is back. (Did he ever leave?) Read the full story on TIME.com. Photograph by @carriemaeweems for TIME

[BIHAKUEN]UVシールド(UVShield)

>> 飲む日焼け止め！「UVシールド」を購入する