ニューヨーク・タイムズのインスタグラム(nytimes) - 9月11日 06時44分


Prolific and provocative, yet not widely known in North America, Sarah Lucas is an original member of the group known as the Young British Artists, or YBAs. @damienhirst — while still in art school — introduced the group in 1988 with the “Freeze” exhibition. Sarah established herself in London 4 years later with “Penis Nailed to a Board,” her first solo gallery show. Her art over the years has specialized in rudeness — although unvarnished honesty with a moral undertone may be more accurate. It may startle Americans, who tend to be more prudish than the British. But this month, her first American museum retrospective — and the largest exhibition of her work yet — opens at the @ニュー・ミュージアム・オブ・コンテンポラリー・アート. Sarah’s blunt yet ambiguous meditations on gender, class and language make her one of the few great artists to emerge from the YBA ranks. But it wasn’t always like that. “I was quite reconciled to people not being so interested in me, but that freed me up,” she said. @ana__cuba took this photo of Sarah wearing one of the signature components of many of her sculptures: a piece of pantyhose filled with a wad of fluffy material. Visit the link in our profile to read more.


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