ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 9月21日 04時55分

"My art is the way I reestablish the bonds that unite me to the universe." –#AnaMendieta
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With striking simplicity, “Nile Born” (1984) speaks to Mendieta’s exploration of self, place, belonging, and alienation, while embodying the communion of a female figure and the land. Born in Cuba, Mendieta was separated from her family at age twelve and exiled to the United States. Like other works in her Silueta series, “Nile Born” is earthbound—a wooden silhouette covered in sand—and subject to the elements and the fragility of the organic materials it is made from. It is one of the last Siluetas she made before her death in 1985, and the title refers to Cuba's African heritage. #MoMACollection #CitizensBorders #HispanicHeritageMonth
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[Pictured with works by William Kentridge and Agnes Denes in this summer’s #GundStudioVisit exhibition. Details: Sand and binder on wood. Gift of Agnes Gund. © 2018 Estate of Ana Mendieta Collection. Photo: Denis Doorly]

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