スージー・ロウのインスタグラム(susiebubble) - 9月30日 23時50分

People have been msging me to ask what I thought of Celine. I wasn’t invited so I’m not going to opine extensively on something I didn’t personally experience but I will say this. In lieu of that show, it has never been more important to appreciate and value female authorship in fashion and the points of view that really are attuned to the world at large, beyond the cosseted confines of a Fashion Bubble that could burst at anytime
Some words from my @i-D review on @コム・デ・ギャルソン where Kawakubo proved to be one of those aforementioned female auteurs...
“The side seams of tailored jackets revealed bulbous forms swinging from the hips, or padded out rears, harking back to Kawakubo’s seminal 1997 “Lumps and Bumps” collection.  But here, the curves were gentler, the protrusions intended not to shock, but to acknowledge something we already know.  We nodded in agreement.  We know the load we bear, in our hips, in our bellies but also on our minds.  The printed tattooed bodysuits with chains hanging from the sleeves said as much.  What are women shackled to?  To work?  To family?  To impossible expectations of our appearances?  To have it all?  These were the questions that Kawakubo posed with clothes that were pregnant with meaning, but tangible to touch and don.”

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