ブルックリン美術館のインスタグラム(brooklynmuseum) - 10月24日 22時32分

Historically Black Colleges and Universities were essential to the education of generations of Black artists and a hotbed of the Black Arts Movement. Practicing artists also worked as educators, recognizing the dual need for arts education and institutional recognition. One such individual was David Driskell, whose Ghetto Wall #2 incorporates imagery related to the political and cultural moment to speak to the Black experience. #soulofanationbkm ⠀
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Installation view of David C. Driskell’s Ghetto Wall #2 (1970) and Soul X (1968).

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