ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 11月17日 03時55分

Front and center in #CharlesWhite’s “Trenton Six” (1949) is Bessie Mitchell. Following the wrongful conviction of six African-American men for the murder of an elderly white shopkeeper in New Jersey—one of which was Mitchell’s brother—she led a public speaking campaign protesting their imprisonment. Her efforts secured a retrial, but the jury only acquitted four of the men. Mitchell’s brother died in prison.
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White brings Mitchell and the Trenton Six to life with his use of hatching and cross-hatching—a labor intensive technique where lines are applied parallel or crossed to each other to create tone and texture.
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[Image Credit: Charles White. “Trenton Six.” 1949. Ink over graphite underdrawing on paperboard. Amon Carter Museum of American Art, Fort Worth, TX. © The Charles White Archives]

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