ガゴシアン・ギャラリーのインスタグラム(gagosian) - 11月22日 22時27分

#GagosianArtistEye | #SarahSze takeover:
Printing plates are sculptures, images, tools—all at once. I love the generative nature of printmaking and its physicality in concert with the image. The allure is not in just the final print but the trace of ink stuck in the tooth of the plate, the weight of stone, the sheen of copper, the flexibility of paper. The plate is often cleaned by running the press until the ink is sucked out and the image disappears: the results are referred to as “ghost prints”.
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All of Piranesi’s copper plates are archived at the Istituto Centrale per la Grafica in Rome. The institute was founded by the Pope in 1738 for the control and protection of images—which, prior to the invention of photography, were circulated entirely through the distribution of prints.
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Sze’s "Split Stone (7:34)" opened yesterday at the Crypta Balbi, Museo Nazionale Romano, at Via delle Botteghe Oscure 31, Rome. Her first exhibition at Gagosian Rome remains on view until January 12. Read more via the link in our bio!
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#Gagosian #GagosianRome #CryptaBalbi #MuseoNazionaleRomano @museonazionaleromano (1) Sarah Sze with an image of her Piranesi print (on iPhone) in front of the original copper plate by Piranesi, National Print Vault, Rome (2) Giovanni Battista Piranesi, "Veduta dell'Anfiteatro Flavio detto il Colosseo," from: "Vedute di Roma" ("Views of Rome"), etching, 1776 (3) Sarah Sze, "Ghost Print (Half-life)," 2018

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