For the uninitiated, Jane the Virgin is loosely based on a Venezuelan telenovela about a virgin who is accidentally artificially inseminated. Jane decides to keep the baby, a choice complicated by the fact that her longtime boyfriend is planning to propose. Meanwhile, the unintentional donor turns out to be an old crush. She navigates the love triangle with the help of her mother and grandmother, a trinity of kind, powerful and complicated women. To call the show a “guilty pleasure” would be to minimize its genius, writes TIME's Eliana Dockterman: the series proved that a warmhearted #heroine could be as complex and enthralling as the difficult men, like Mad Men’s Don Draper, who dominated prestige #television when Jane premiered. Behind the scenes as well, the show stood out from the rest of #Hollywood. Showrunner Jennie Urman has a team of 10 #women and three men for her writing staff. Four writers are Latinx, and women direct half the episodes. It was because of Urman that Gina Rodriguez (@hereisgina) fulfilled her own dream to direct, after others had rebuffed her: “People were just like, ‘You’re just a little Latina actress. How are you going to be a director?'” Though movements like Time’s Up (of which Rodriguez is an active member) are dedicated to addressing sexism and racism in Hollywood, #Latina women still account for a mere 7% of all speaking roles in major films. Just one Latina director, Patricia Riggen, helmed one of the 1,200 top-grossing #movies from 2007 to 2018, according to a recent study. Rodriguez says she is an activist first. On every project, she has demanded inclusion on a par with @cwjanethevirgin’s. “I refuse to enter a space where it’s not as liberating as this. Are 50% of the writers women? The directors? Are those women intersectional?” she says, referring to representation across race, class, sexual orientation and other aspects of a person’s identity. “No? O.K., let’s change that or find yourself someone else.” Read more at the link in bio. Photograph by Rozette Rago (@hellorozette) for TIME

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For the uninitiated, Jane the Virgin is loosely based on a Venezuelan telenovela about a virgin who is accidentally artificially inseminated. Jane decides to keep the baby, a choice complicated by the fact that her longtime boyfriend is planning to propose. Meanwhile, the unintentional donor turns out to be an old crush. She navigates the love triangle with the help of her mother and grandmother, a trinity of kind, powerful and complicated women. To call the show a “guilty pleasure” would be to minimize its genius, writes TIME's Eliana Dockterman: the series proved that a warmhearted #heroine could be as complex and enthralling as the difficult men, like Mad Men’s Don Draper, who dominated prestige #television when Jane premiered. Behind the scenes as well, the show stood out from the rest of #Hollywood. Showrunner Jennie Urman has a team of 10 #women and three men for her writing staff. Four writers are Latinx, and women direct half the episodes. It was because of Urman that Gina Rodriguez (@ジーナ・ロドリゲス) fulfilled her own dream to direct, after others had rebuffed her: “People were just like, ‘You’re just a little Latina actress. How are you going to be a director?'” Though movements like Time’s Up (of which Rodriguez is an active member) are dedicated to addressing sexism and racism in Hollywood, #Latina women still account for a mere 7% of all speaking roles in major films. Just one Latina director, Patricia Riggen, helmed one of the 1,200 top-grossing #movies from 2007 to 2018, according to a recent study. Rodriguez says she is an activist first. On every project, she has demanded inclusion on a par with @cwjanethevirgin’s. “I refuse to enter a space where it’s not as liberating as this. Are 50% of the writers women? The directors? Are those women intersectional?” she says, referring to representation across race, class, sexual orientation and other aspects of a person’s identity. “No? O.K., let’s change that or find yourself someone else.” Read more at the link in bio. Photograph by Rozette Rago (@hellorozette) for TIME


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