I wrote this for New York Magazine’s The Cut on the Oscar nominations. :::::: “My father, the actor Russ Tamblyn, has been a member of the Academy of Motion Pictures Arts and Sciences since the early ’90s, a privilege that allows him to vote for the Academy Awards every year. He takes his membership and voting very seriously and always attends as many Academy screenings as he can, taking diligent notes on the films he saw and loved and casting his vote with enormous pride. Growing up in Los Angeles, I went to many of those screenings with him at the legendary Samuel Goldwyn Theater, with its plush blood-red velvet seats and massive glowing screen bookended by two towering gold Oscar statues. But when I looked around at the Academy audience, I rarely ever saw any members who were women, and I almost never saw members who were women of color, save for a rare icon like Nancy Kwan, who, up until this year’s Crazy Rich Asians, was one of the very few Asian-American actresses to star in a major Hollywood movie since her film debut in 1960. What I saw in the Academy’s membership were other white men like my father, so I grew up believing that this is where I should expect to see myself in the pantheons of patriarchal clubs: always as a guest of an old guard, never as a gerent alongside her own peers. . So it was a complete surprise when last year, in 2018, I was finally invited to become a voting member of AMPAS myself, even though I’ve worked for more than two decades in film and television as an actress, director, and screenplay writer. The Academy has made strides to bring more women into its voting body in the last few years, but this year it’s apparent that when it comes to who is nominated there is still a long way to go. On Tuesday, the announcement of the 91st Oscar nominations entirely left out women’s cinematic contributions to some of its top categories, including Best Director, Achievement in Editing, Achievement in Cinematography, and Achievement in Music, among other categories. That this continues to happen every year, regardless of AMPAS’s growing membership inclusion, is alarming, but not surprising...” (full piece in my bio)

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I wrote this for New York Magazine’s The Cut on the Oscar nominations. :::::: “My father, the actor Russ Tamblyn, has been a member of the Academy of Motion Pictures Arts and Sciences since the early ’90s, a privilege that allows him to vote for the Academy Awards every year. He takes his membership and voting very seriously and always attends as many Academy screenings as he can, taking diligent notes on the films he saw and loved and casting his vote with enormous pride. Growing up in Los Angeles, I went to many of those screenings with him at the legendary Samuel Goldwyn Theater, with its plush blood-red velvet seats and massive glowing screen bookended by two towering gold Oscar statues. But when I looked around at the Academy audience, I rarely ever saw any members who were women, and I almost never saw members who were women of color, save for a rare icon like Nancy Kwan, who, up until this year’s Crazy Rich Asians, was one of the very few Asian-American actresses to star in a major Hollywood movie since her film debut in 1960. What I saw in the Academy’s membership were other white men like my father, so I grew up believing that this is where I should expect to see myself in the pantheons of patriarchal clubs: always as a guest of an old guard, never as a gerent alongside her own peers.
.
So it was a complete surprise when last year, in 2018, I was finally invited to become a voting member of AMPAS myself, even though I’ve worked for more than two decades in film and television as an actress, director, and screenplay writer. The Academy has made strides to bring more women into its voting body in the last few years, but this year it’s apparent that when it comes to who is nominated there is still a long way to go. On Tuesday, the announcement of the 91st Oscar nominations entirely left out women’s cinematic contributions to some of its top categories, including Best Director, Achievement in Editing, Achievement in Cinematography, and Achievement in Music, among other categories. That this continues to happen every year, regardless of AMPAS’s growing membership inclusion, is alarming, but not surprising...” (full piece in my bio)


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