Vogueさんのインスタグラム写真 - (VogueInstagram)「"I don’t perform in Farsi, and I don’t perform in Iranian movies. Because I’m considered as an enemy of the state," says @golfarahani. Farahani’s trajectory is complicated. In Iran, once upon a time, Farahani was a heroine. In 2006, she made a melodrama called M for Mother that was a box-office smash in that country and turned her, by her own estimate, into “the mother of the nation.” So when she went to work with Ridley Scott on Body of Lies (2008), it was considered a betrayal of a certain ideal—she was the first actress born and raised in Iran to appear in a major Hollywood film since the 1979 revolution, and she dared to bare her head at the New York premiere. As punishment, the Iranian authorities took away her passport; Farahani subsequently fled to France. She now splits her time between Portugal and Ibiza. This does not prevent her actions from being seen as political in Iran. “This movie, that photo shoot, kissing—farting is a political act! Now I’m out there without a veil and provoking the youth.” When Farahani posed nude for the cover of the French magazine Egoïste in 2014, she further fanned the flames of disapproval in Iran. But the actress insists she does not want to be turned into someone else’s flag. “Women are weapons of war,” she explains. The nudity—about which an actress of another nationality might barely think twice—was in her case a means of striking back at the people who had tried to impose restrictions on her. It said, she tells me, “I don’t belong to you, my body doesn’t belong to you. You think I’m your property? No.” Tap the link in our bio to read more from our April issue cover story. Photographed by @mikaeljansson, styled by #CamillaNickerson, written by Gaby Wood, Vogue, April 2019」3月16日 6時19分