トームさんのインスタグラム写真 - (トームInstagram)「‘On The Road, Baja California’ 1975 #BarbaraHammer. ‘So much of your work has been about two things: about investigating the body—the sexual body—and also trying to tell your own story in different ways, through looking for your roots: as a lesbian, as somebody whose family came from Ukraine, as an artist. In “Tender Fictions,” you start by saying that you read artists’ autobiographies to figure out how to be an artist.’ #MashaGessen #TheNewYorker “ I read these books on Gauguin and other extraordinary male artists, identifying with them as artists at kind of the extreme edges: they leave their family, they go to another country, they would live without much money, suffer, and do these fantastic works. That was my role model. I didn’t have any women. At that point, I hadn’t taken a film class, so I really didn’t know some women I could have looked up. But then I started taking film classes at Sonoma State and driving my motor scooter there and studying with William Morehouse, who started the art program at the San Francisco Art Institute.  I would take over a room and just paint in the whole room by putting glass and paper all the way around the room. One day, I brought Morehouse in. He recognized me—this is all you want, as a young artist, is to be recognized. He had long talks with me then. “It may be very hard to be an artist. You might have to make twenty works in one year. Do you really want to do this?,” he asked. “Yes, I still want to do it.” “You may not be recognized for twenty years.” “That’s where I’m going.” #art #madebywomen #madebyqueers」3月17日 13時30分 - tomenyc

トームのインスタグラム(tomenyc) - 3月17日 13時30分


‘On The Road, Baja California’ 1975 #BarbaraHammer.
‘So much of your work has been about two things: about investigating the body—the sexual body—and also trying to tell your own story in different ways, through looking for your roots: as a lesbian, as somebody whose family came from Ukraine, as an artist. In “Tender Fictions,” you start by saying that you read artists’ autobiographies to figure out how to be an artist.’ #MashaGessen #TheNewYorker “ I read these books on Gauguin and other extraordinary male artists, identifying with them as artists at kind of the extreme edges: they leave their family, they go to another country, they would live without much money, suffer, and do these fantastic works. That was my role model. I didn’t have any women. At that point, I hadn’t taken a film class, so I really didn’t know some women I could have looked up. But then I started taking film classes at Sonoma State and driving my motor scooter there and studying with William Morehouse, who started the art program at the San Francisco Art Institute.

I would take over a room and just paint in the whole room by putting glass and paper all the way around the room. One day, I brought Morehouse in. He recognized me—this is all you want, as a young artist, is to be recognized. He had long talks with me then. “It may be very hard to be an artist. You might have to make twenty works in one year. Do you really want to do this?,” he asked. “Yes, I still want to do it.” “You may not be recognized for twenty years.” “That’s where I’m going.”
#art #madebywomen #madebyqueers


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