スティーブンジョーンズさんのインスタグラム写真 - (スティーブンジョーンズInstagram)「#Repost @bof ・・・ His designs have crowned the heads of all kind of royalty — from Rihanna to Princess Diana — and have appeared in countless runway collections, including those of Comme des Garçons and Dior. But what drew Stephen Jones to millinery in the first place? On this week’s podcast episode, BoF’s Tim Blanks speaks to Stephen Jones about where his hats sit in the wider scope of fashion and culture.⁣ ⁣ "They communicate in a way that clothing can't," says Jones, who describes the world of hats as one of accessible entertainment and optimism, even in the bleakest of times. Such a philosophy goes hand-in-hand with the "mass entertainment" appeal of museum shows, which represent a large portion of Jones's accomplishments in recent years. His namesake exhibition at the Royal Pavilion in Brighton is the latest in Jones’s work as a curator of hat-based museum shows. But a hat, he notes, is not just designed to be a standalone sculpture, nor is it subservient to the cultural authority of its origins. Be it through couture collaboration or designing for a celebrity, "interpretation by others is the magical part," he says. Listen to the conversation at businessoffashion.com [Link in bio]⁣」3月24日 2時45分 - stephenjonesmillinery

スティーブンジョーンズのインスタグラム(stephenjonesmillinery) - 3月24日 02時45分


#Repost @bof
・・・
His designs have crowned the heads of all kind of royalty — from Rihanna to Princess Diana — and have appeared in countless runway collections, including those of Comme des Garçons and Dior. But what drew Stephen Jones to millinery in the first place? On this week’s podcast episode, BoF’s Tim Blanks speaks to Stephen Jones about where his hats sit in the wider scope of fashion and culture.⁣

"They communicate in a way that clothing can't," says Jones, who describes the world of hats as one of accessible entertainment and optimism, even in the bleakest of times. Such a philosophy goes hand-in-hand with the "mass entertainment" appeal of museum shows, which represent a large portion of Jones's accomplishments in recent years. His namesake exhibition at the Royal Pavilion in Brighton is the latest in Jones’s work as a curator of hat-based museum shows. But a hat, he notes, is not just designed to be a standalone sculpture, nor is it subservient to the cultural authority of its origins. Be it through couture collaboration or designing for a celebrity, "interpretation by others is the magical part," he says. Listen to the conversation at businessoffashion.com [Link in bio]⁣


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