ブルックリン美術館さんのインスタグラム写真 - (ブルックリン美術館Instagram)「Àdìrẹ is an indigo-dyed cotton textile on view in the exhibition #OneEgúngún. It is a resist-dyed Yorùbá textile. This particular technique àdìrẹ ẹlé̩kọ, is done by women artists, using cassava flour paste on fabric, preventing certain areas from soaking in blue indigo dye. Yorùbá egúngún masquerades use these fabrics as part of the costume. In Yorùbá communities cloth is linked to ancestors, as both are immortal in Yorùbá belief. ⁣⠀ ⁣⠀ Woman’s Wrapper (àdìrẹ ẹlé̩kọ), 20th century. Abẹokuta, Nigeria. Cotton, synthetic indigo dye. Brooklyn Museum; Purchased with funds given by Frieda and Milton F. Rosenthal, 1990.132.8. Provenance: Produced in Abẹòkúta and purchased for the Brooklyn Museum from cloth trader Mrs. Abiola, University of Ìbàdàn, by Elisha Renne in 1990 #BKMAfricanarts⁣」4月18日 5時51分 - brooklynmuseum

ブルックリン美術館のインスタグラム(brooklynmuseum) - 4月18日 05時51分


Àdìrẹ is an indigo-dyed cotton textile on view in the exhibition #OneEgngn. It is a resist-dyed Yorùbá textile. This particular technique àdìrẹ ẹlé̩kọ, is done by women artists, using cassava flour paste on fabric, preventing certain areas from soaking in blue indigo dye. Yorùbá egúngún masquerades use these fabrics as part of the costume. In Yorùbá communities cloth is linked to ancestors, as both are immortal in Yorùbá belief. ⁣⠀
⁣⠀
Woman’s Wrapper (àdìrẹ ẹlé̩kọ), 20th century. Abẹokuta, Nigeria. Cotton, synthetic indigo dye. Brooklyn Museum; Purchased with funds given by Frieda and Milton F. Rosenthal, 1990.132.8. Provenance: Produced in Abẹòkúta and purchased for the Brooklyn Museum from cloth trader Mrs. Abiola, University of Ìbàdàn, by Elisha Renne in 1990 #BKMAfricanarts⁣


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