ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 4月18日 23時57分


“Atget would place his camera across the Seine to get a full view, knowing this majestic structure could hold its own through a scrim of bare branches.”

In the aftermath of Notre Dame’s fire, our curators discuss works by Eugène Atget, Henri Matisse, Ernest Fiene, and László Moholy-Nagy that depict #NotreDame not only as an enduring work of art, but as a landmark for modern artists. Read more at mo.ma/notredame

[Eugène Atget’s “Notre-Dame” (1925) and “Notre-Dame (portail), detail” (1921–22). Gelatin silver printing-out-paper print. Abbott-Levy Collection. Partial gift of Shirley C. Burden]


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