スージー・ロウさんのインスタグラム写真 - (スージー・ロウInstagram)「Years or even sooner, from now when the four fashion capitals no longer exist or have moved, and the axes of mainstream culture have shifted to continents beyond USA and Europe, we will talk about this @dior #DiorCruise show and its ambitious endeavour to bridge cultures, and truly be inclusive, not just in terms of casting but in the formation of the collection #MariaGraziaChiuri could have come to Marrakech, mined a few YSL/Dior references and called it a day Instead she went deep. This was the “Africa” collection to atone for all the other “faux-Africa” collections hailing from Western fashion brands that came before Where to begin? Anne Grosfilley, an expert on African textiles was a consultant on the collection, bringing her in-depth knowledge of wax print fabric and its origins that traversed between Europe, Asia and Africa - a globalised fabric before globalisation happened. The collection was filled with it and was made in collaboration with @uniwaxciv in Ivory Coast and, more importantly, every piece of wax print in the collection (and there were a lot) will be produced there for sales. That in itself is brave, to incorporate a Made in Ivory Coast, Africa label into a French maison Then there were the significant and poignant collaborations @walesbonner and her reinterpretation of the Bar jacket inflected with Caribbean inspirations. Another crossing of shores and boundaries Artist @mickalenethomas and her beautiful beaded and collaged Sunday Best ensemble Pathé’O, one of Africa’s best known designers namely because of his shirts worn by Nelson Mandela and his tribute in the collection to the great man himself Even the cushions we were sitting on were created by Moroccan craftswomen Sumano This is a collection that aims to educate and illuminate the craft of a continent, one which the average person in Europe might not connect with fashion or textiles And it’s a tall order given the amount of information and collaborators involved But that will be down to the responsible story telling we as media and Dior themselves do. It is our duty to be informed and then inform others. That’s how cultural appropriation truly becomes appreciation #DiorCommonGround」4月30日 16時31分 - susiebubble

スージー・ロウのインスタグラム(susiebubble) - 4月30日 16時31分


Years or even sooner, from now when the four fashion capitals no longer exist or have moved, and the axes of mainstream culture have shifted to continents beyond USA and Europe, we will talk about this @クリスチャンディオール #DiorCruise show and its ambitious endeavour to bridge cultures, and truly be inclusive, not just in terms of casting but in the formation of the collection
#MariaGraziaChiuri could have come to Marrakech, mined a few YSL/Dior references and called it a day
Instead she went deep. This was the “Africa” collection to atone for all the other “faux-Africa” collections hailing from Western fashion brands that came before
Where to begin? Anne Grosfilley, an expert on African textiles was a consultant on the collection, bringing her in-depth knowledge of wax print fabric and its origins that traversed between Europe, Asia and Africa - a globalised fabric before globalisation happened. The collection was filled with it and was made in collaboration with @uniwaxciv in Ivory Coast and, more importantly, every piece of wax print in the collection (and there were a lot) will be produced there for sales. That in itself is brave, to incorporate a Made in Ivory Coast, Africa label into a French maison
Then there were the significant and poignant collaborations
@walesbonner and her reinterpretation of the Bar jacket inflected with Caribbean inspirations. Another crossing of shores and boundaries
Artist @mickalenethomas and her beautiful beaded and collaged Sunday Best ensemble
Pathé’O, one of Africa’s best known designers namely because of his shirts worn by Nelson Mandela and his tribute in the collection to the great man himself
Even the cushions we were sitting on were created by Moroccan craftswomen Sumano
This is a collection that aims to educate and illuminate the craft of a continent, one which the average person in Europe might not connect with fashion or textiles
And it’s a tall order given the amount of information and collaborators involved
But that will be down to the responsible story telling we as media and Dior themselves do. It is our duty to be informed and then inform others. That’s how cultural appropriation truly becomes appreciation #DiorCommonGround


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