デヴィッド・ボウイさんのインスタグラム写真 - (デヴィッド・ボウイInstagram)「SPACE ODDITY 50TH ANNIVERSARY 2 X 7" VINYL BOX WITH TV REMIXES “Though I'm past eighteen thousand days...” To make sense of today’s Bowie lyric appropriation, fact fans might like to know that 18,262 days will have passed between Space Oddity’s original UK single release on 11th July, 1969, and the 50th anniversary of the single in a couple of months.  DAVID BOWIE - SPACE ODDITY - 50th ANNIVERSARY 2 x 7” BOX SET - FEATURING BRAND NEW TONY VISCONTI REMIXES AND SPACE ODDITY (2019 MIX – SINGLE EDIT) 1 TRACK DIGITAL SINGLE RELEASED ON PARLOPHONE 12th JULY 2019 As part of the ongoing celebrations marking 50 years since David Bowie’s first hit, and following announcements of the Spying Through A Keyhole, Clareville Grove Demos and the “Mercury" Demos collections, Parlophone is releasing a very special double 7” single of Space Oddity featuring brand new remixes by Tony Visconti. The set and a 1 track digital single of the single edit of the 2019 mix of Space Oddity for streaming and download will be released by Parlophone on 12th July, 2019, the day after the single’s 50th anniversary. Space Oddity 50th anniversary double 7” set will come in a box including a double-sided poster featuring an original Space Oddity press advertisement and a Ray Stevenson shot of David taken on stage at the Save Rave ‘69 concert at the London Palladium on 30th November, 1969, the backdrop featuring a N.A.S.A. astronaut. The set also includes an information card and a print featuring an alternative shot by Jojanneke Claassen from the Space Oddity promo single cover session. A facsimile of the original ultra-rare unissued UK picture sleeve has been used for the cover of the original mono single, which, along with the label, features the original Philips trademark specifically cleared for this 50th anniversary release. The single itself has been cut from the original analogue single master tape. The jacket housing the 2019 remixes by Tony Visconti is a new design featuring an alternative Ray Stevenson shot from the Save Rave ‘69 concert to that on the poster. Go here for the full press release: http://smarturl.it/SpaceOddity2x45BoxPR (Temp link on main page)  #SpaceOddity50」5月9日 10時16分 - davidbowie

デヴィッド・ボウイのインスタグラム(davidbowie) - 5月9日 10時16分


SPACE ODDITY 50TH ANNIVERSARY 2 X 7" VINYL BOX WITH TV REMIXES “Though I'm past eighteen thousand days...” To make sense of today’s Bowie lyric appropriation, fact fans might like to know that 18,262 days will have passed between Space Oddity’s original UK single release on 11th July, 1969, and the 50th anniversary of the single in a couple of months.
DAVID BOWIE - SPACE ODDITY - 50th ANNIVERSARY 2 x 7” BOX SET - FEATURING BRAND NEW TONY VISCONTI REMIXES AND SPACE ODDITY (2019 MIX – SINGLE EDIT) 1 TRACK DIGITAL SINGLE
RELEASED ON PARLOPHONE 12th JULY 2019
As part of the ongoing celebrations marking 50 years since David Bowie’s first hit, and following announcements of the Spying Through A Keyhole, Clareville Grove Demos and the “Mercury" Demos collections, Parlophone is releasing a very special double 7” single of Space Oddity featuring brand new remixes by Tony Visconti. The set and a 1 track digital single of the single edit of the 2019 mix of Space Oddity for streaming and download will be released by Parlophone on 12th July, 2019, the day after the single’s 50th anniversary.
Space Oddity 50th anniversary double 7” set will come in a box including a double-sided poster featuring an original Space Oddity press advertisement and a Ray Stevenson shot of David taken on stage at the Save Rave ‘69 concert at the London Palladium on 30th November, 1969, the backdrop featuring a N.A.S.A. astronaut. The set also includes an information card and a print featuring an alternative shot by Jojanneke Claassen from the Space Oddity promo single cover session.
A facsimile of the original ultra-rare unissued UK picture sleeve has been used for the cover of the original mono single, which, along with the label, features the original Philips trademark specifically cleared for this 50th anniversary release. The single itself has been cut from the original analogue single master tape. The jacket housing the 2019 remixes by Tony Visconti is a new design featuring an alternative Ray Stevenson shot from the Save Rave ‘69 concert to that on the poster.
Go here for the full press release: http://smarturl.it/SpaceOddity2x45BoxPR (Temp link on main page)
#SpaceOddity50


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