グッゲンハイム美術館さんのインスタグラム写真 - (グッゲンハイム美術館Instagram)「Recent acquisition to the #GuggenheimCollection: Liliana Porter (@lilianaporter.art), “Untitled (Self portrait with square II)” (1973/2014)  __ “Trained as a printmaker in Buenos Aires, Mexico City, and New York, Liliana Porter’s practice explores the concept of time through printmaking, drawing, photography, installation, sculpture, video, and performance. ‘Untitled (Self portrait with square II)’ is from a series of photographs from the 1970s featuring segments of the artist’s body interacting with lines inscribed in space. The contours of a rectangle spill off of the artist's face onto the wall behind her to form a continuous shape. By juxtaposing present and past, original and copy, living and inanimate, Porter enacts visual puns that amplify what is reality versus perception.”—Amara Antilla, Assistant Curator (@amaraantilla)  __ Purchased with funds contributed by the Latin American Circle, 2018 #Guggenheim #LatinAmericanCircle」5月15日 5時50分 - guggenheim

グッゲンハイム美術館のインスタグラム(guggenheim) - 5月15日 05時50分


Recent acquisition to the #GuggenheimCollection: Liliana Porter (@lilianaporter.art), “Untitled (Self portrait with square II)” (1973/2014)

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“Trained as a printmaker in Buenos Aires, Mexico City, and New York, Liliana Porter’s practice explores the concept of time through printmaking, drawing, photography, installation, sculpture, video, and performance. ‘Untitled (Self portrait with square II)’ is from a series of photographs from the 1970s featuring segments of the artist’s body interacting with lines inscribed in space. The contours of a rectangle spill off of the artist's face onto the wall behind her to form a continuous shape. By juxtaposing present and past, original and copy, living and inanimate, Porter enacts visual puns that amplify what is reality versus perception.”—Amara Antilla, Assistant Curator (@amaraantilla)

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Purchased with funds contributed by the Latin American Circle, 2018
#Guggenheim #LatinAmericanCircle


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