ニューヨーク近代美術館さんのインスタグラム写真 - (ニューヨーク近代美術館Instagram)「“... this piece is about in some way, transition and transitoriness. I had an idea: what if you did a work of art that was really like a conversation. As we talk, we drift from one subject to another. And I'm drifting from subject to subject about my idea of art.” –#JenniferBartlett on “Rhapsody” (1975-76), now on view in our Marron Atrium … Hear the artist share more about the work which consists of 987 one-foot-square steel panels stretching over an expanse of more than 150 feet: mo.ma/rhapsody (link in bio) … [Credit: Jennifer Bartlett. “Rhapsody.” 1975-76. Enamel on steel, 987 plates. Gift of Edward R. Broida. © 2019 Jennifer Bartlett. Photos: Jonathan Muzikar]」5月18日 1時08分 - themuseumofmodernart

ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 5月18日 01時08分


“... this piece is about in some way, transition and transitoriness. I had an idea: what if you did a work of art that was really like a conversation. As we talk, we drift from one subject to another. And I'm drifting from subject to subject about my idea of art.” –#JenniferBartlett on “Rhapsody” (1975-76), now on view in our Marron Atrium

Hear the artist share more about the work which consists of 987 one-foot-square steel panels stretching over an expanse of more than 150 feet: mo.ma/rhapsody (link in bio)

[Credit: Jennifer Bartlett. “Rhapsody.” 1975-76. Enamel on steel, 987 plates. Gift of Edward R. Broida. © 2019 Jennifer Bartlett. Photos: Jonathan Muzikar]


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