ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 6月12日 05時31分


“There was no space, canvas, or piece of paper too big for his vision—and this whole piece feels like a vision. It’s a vision of apocalypse, a vision of the streets of New York, a vision of Haring’s imagination, and the Angels, the dolphins, the UFOs, the running dogs—it’s all a part of what was possible to him in art making...the ways that he used drawing, line, symbol, and cartooning—and just the energy coming from the work—is really one of radical joy. Celebration is possible in his world, but he doesn’t ignore the strife.”

Writer and art historian Alex Fialho (@fagalho) discusses the queer energy of #KeithHaring’s epic “Untitled” and his “fast-paced, joyous celebration of life, and what might be possible.” mo.ma/radicaljoy (link in bio) #Pride

[Credit: Keith Haring. “Untitled” (detail). 1982. Ink on two sheets of paper. Gift of the Estate of Keith Haring, Inc. © 2019 The Keith Haring Foundation]


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