Flaunt Magazineのインスタグラム(flauntmagazine) - 6月14日 05時01分


Bruce Conner completed and released the eighth and final version of REPORT in 1967, a moment where he initiated another vanishing act by ceasing to make films. The film is divided into two unequal parts, a longer, first section which Conner has called “the death of Kennedy” and an “epilogue” that imaginatively unpacks the Kennedy myth. That first part of REPORT vividly recreates the assassination as a live event through Conner’s extensive use of remote radio transmissions produced by a local Dallas station covering the arrival of the President and First Lady, the progress of the motorcade trip from Love Field to the Trade Mart downtown, and the tragic detour to Parkland Hospital. Conner fabricates an image track out of the fragments of the paltry documentary footage of the assassination available to him and combines it with the detritus of various kinds of film leader.⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Bruce Conner, REPORT, 1963-67, 16mm, black and white, sound, 13 minutes, Digitally restored in 2017⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Currently on view at @kohngallery from June 13 - 16, 2019⠀⠀⠀⠀⠀⠀⠀⠀⠀
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2019/6/14

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