クラークさんのインスタグラム写真 - (クラークInstagram)「Cannibal Homecoming is like Japanese cuisine - it explores lots of textures but coheres as a song er..."meal". A song is finished when you get the sense it's being pulled along to an inevitable conclusion. It’s not literally about cannibals. It’s about paradox, despair, broken families, the fictional boundaries we cling to and the self destructive cognitive dissonance we suffer because of this. Ooh listen to how naked and vulnerable I sound at the end! I like the synth arp that counters that. It’s like a shield. I’ve been gently poking fun at terrible preset Hollywood risers but doing them with my own customised sounds-the idea of a riser is amazing, it’s kind of timeless. The mounting of tension and release. It's been around since the Greeks. But the palette needs to be unique, personal. I’m coming at it from quite a militantly purist angle. Some of the field recordings in those risers are over 20 years old, from dictaphone tapes I didn’t even know I had. All this texture needs to be married to a good ol’ visceral composition though. This fusion of those two aspects of music is the ideal. Each one helping the other one out in mutual song craft welfare. You can't be a libertarian about this stuff. Pre-order new album ‘Kiri Variations’ via my Bleep Store (inc 24bit WAV and vinyl), Apple Music or Spotify. 🔗 in bio.」6月26日 20時43分