ブルックリン美術館さんのインスタグラム写真 - (ブルックリン美術館Instagram)「On this day in 1889, #VincentvanGogh mailed this drawing of cypress trees to his brother Theo in order to show him what the paintings he was working on looked like (the painting that corresponds to this drawing is now @metmuseum). A few days earlier, Vincent had written to Theo describing the motif that so captivated him in Saint-Rémy-de-Provence: “The cypresses still preoccupy me… It’s beautiful as regards lines and proportions, like an Egyptian obelisk… It’s the dark patch in a sun-drenched landscape, but it’s one of the most interesting dark notes, the most difficult to hit off exactly that I can imagine.” Come see this vivid, energetic drawing now on view in #BKMWorksonPaper⠀ ⠀⠀ Vincent van Gogh (Dutch, 1853-1890). Cypresses (Les Cyprès), June 1889. Reed pen, graphite, quill, and brown and black ink on wove Latune et Cie Balcons paper. Brooklyn Museum, Frank L. Babbott Fund and A. Augustus Healy Fund, 38.123」7月2日 21時52分 - brooklynmuseum

ブルックリン美術館のインスタグラム(brooklynmuseum) - 7月2日 21時52分


On this day in 1889, #VincentvanGogh mailed this drawing of cypress trees to his brother Theo in order to show him what the paintings he was working on looked like (the painting that corresponds to this drawing is now @メトロポリタン美術館). A few days earlier, Vincent had written to Theo describing the motif that so captivated him in Saint-Rémy-de-Provence: “The cypresses still preoccupy me… It’s beautiful as regards lines and proportions, like an Egyptian obelisk… It’s the dark patch in a sun-drenched landscape, but it’s one of the most interesting dark notes, the most difficult to hit off exactly that I can imagine.” Come see this vivid, energetic drawing now on view in #BKMWorksonPaper⠀
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Vincent van Gogh (Dutch, 1853-1890). Cypresses (Les Cyprès), June 1889. Reed pen, graphite, quill, and brown and black ink on wove Latune et Cie Balcons paper. Brooklyn Museum, Frank L. Babbott Fund and A. Augustus Healy Fund, 38.123


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