メトロポリタン美術館のインスタグラム(metmuseum) - 7月6日 22時09分
Before 👉 After
Because hardly any women artists had access to nude models, a number of them became still life specialists—including Margareta Haverman, whose magnificent arrangement of flowers and fruit in "A Vase of Flowers" features innovative pigments such as Prussian blue. 🌸🍇🍐🌺
But after three centuries of light exposure, the organic yellow lake pigment has faded, resulting in a blue appearance of the leaves. Tap the link in bio to discover how a team of conservators and curators brought it (digitally) back to life.
🎨 Margareta Haverman (Dutch, 1693–1722). A Vase of Flowers, 1716. Oil on wood. On view in "In Praise of Painting: Dutch Masterpieces at The Met" in Gallery 964. #MetDutchMasterpieces
[BIHAKUEN]UVシールド(UVShield)
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nancyl.hoffmann
By the 1890s women were allowed to sculpt and draw men who only wore loincloths (this was in art school, of course). I know bc my paternal grandfather photographed such classes at the Art Institute of Chicago.
liquido.co
This exhibition is probably one of my all time favorites at The Met, and this one of my all time favorite still life paintings! A match made in art heaven.
rok1031
But we know and have come to love what we see now. The composition and technique are masterful. The picture sumptuous ?
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