プレイボーイさんのインスタグラム写真 - (プレイボーイInstagram)「Fun fact: Although Juxtapoz is today known as a bible for contemporary art, the 25-year-old magazine's origins—like Playboy's—lie in erotica. Both publications also have longstanding relationships with politics and, of course, the visual arts—sometimes even in tandem (See above for a few of the art mag’s most poignant political covers). For these reasons and more, we tapped Jux’s editor-in-chief Evan Pricco to guest-edit a special art-as-activism edition of The Playboy Symposium for Playboy’s Spring 2019 issue. In it, @epricco introduces a rising crop of artists who are igniting new conversations about freedom, identity and expression. “In an era when there seems to be a constant struggle to identify what America is, or should be, art reflects the moment,” Pricco says. “This is a look at those who are creating monuments to living, breathing connection in times of discord—and something for us to live with.” Visit Playboy.com for the complete feature. #PlayboySymposium #TheSpeechIssue . . . @juxtapozmag  @epricco  @mirandabarnes  @icyandsot  @timothy.curtis  @nathanielmaryquinn  @yrsadaleyward . . . Juxtapoz cover credits Marcel Dzama and Raymond Pettibon, February 2017 Nina Chanel Abney, July 2016 Emory Douglas, March 2011」7月11日 3時51分 - playboy

プレイボーイのインスタグラム(playboy) - 7月11日 03時51分


Fun fact: Although Juxtapoz is today known as a bible for contemporary art, the 25-year-old magazine's origins—like Playboy's—lie in erotica. Both publications also have longstanding relationships with politics and, of course, the visual arts—sometimes even in tandem (See above for a few of the art mag’s most poignant political covers). For these reasons and more, we tapped Jux’s editor-in-chief Evan Pricco to guest-edit a special art-as-activism edition of The Playboy Symposium for Playboy’s Spring 2019 issue. In it, @epricco introduces a rising crop of artists who are igniting new conversations about freedom, identity and expression. “In an era when there seems to be a constant struggle to identify what America is, or should be, art reflects the moment,” Pricco says. “This is a look at those who are creating monuments to living, breathing connection in times of discord—and something for us to live with.” Visit Playboy.com for the complete feature. #PlayboySymposium #TheSpeechIssue
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@Juxtapoz Magazine
@epricco
@mirandabarnes
@icyandsot
@timothy.curtis
@nathanielmaryquinn
@yrsadaleyward .
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Juxtapoz cover credits
Marcel Dzama and Raymond Pettibon, February 2017
Nina Chanel Abney, July 2016
Emory Douglas, March 2011


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