ジョシュア・レナードさんのインスタグラム写真 - (ジョシュア・レナードInstagram)「20 years ago this weekend, we premiered Blair Witch in New York City. The 90’s were almost over. I was fresh out of rehab and still working catering gigs to pay the bills. I’d recently packed up a beat-up Nissan Sentra and driven it cross-country to make a go of it in LA. My agents told me to get highlights in my hair, so I did. Armani gave me some sweet clothes to wear for press. But even with my dope hair and my fancy suits, I was fully out of my depth for the ride to come. I came out of a reality-distortion blackout a few years later, wondering what the fuck had just happened. I’m often asked about my experience during this time, and the most truthful answer is, “it’s complicated”. But what I know for sure is this: 1. I made friends on this movie that will last a lifetime. 2. I got my foot in the door of an industry, where I’ve been fortunate enough to remain for over two decades, making a living doing what I love (most of the time). 3. Because we came from nowhere as a creative team; because we made this film with two nickels and a dream; because the reason our movie ‘worked’ was exactly due to its IMPERFECTIONS (and yeah, a lot of right time/right place) ... because of all these things, I’ve been the joyful beneficiary of HUNDREDS of stories over the years - stories from creators who were inspired by the same spirit to go out and create by any means necessary. This may seem frivolous compared to all the pressing work that needs to be done on our planet right now... but it’s still really important. It’s important to remember that WE control OUR OWN creative voices and that nobody can EVER stop you from making stuff. In terms of success and the rest of it, we just got really f’n lucky. #radioman」7月17日 5時23分 - thejoshualeonard

ジョシュア・レナードのインスタグラム(thejoshualeonard) - 7月17日 05時23分


20 years ago this weekend, we premiered Blair Witch in New York City. The 90’s were almost over. I was fresh out of rehab and still working catering gigs to pay the bills. I’d recently packed up a beat-up Nissan Sentra and driven it cross-country to make a go of it in LA. My agents told me to get highlights in my hair, so I did. Armani gave me some sweet clothes to wear for press. But even with my dope hair and my fancy suits, I was fully out of my depth for the ride to come. I came out of a reality-distortion blackout a few years later, wondering what the fuck had just happened. I’m often asked about my experience during this time, and the most truthful answer is, “it’s complicated”. But what I know for sure is this: 1. I made friends on this movie that will last a lifetime. 2. I got my foot in the door of an industry, where I’ve been fortunate enough to remain for over two decades, making a living doing what I love (most of the time). 3. Because we came from nowhere as a creative team; because we made this film with two nickels and a dream; because the reason our movie ‘worked’ was exactly due to its IMPERFECTIONS (and yeah, a lot of right time/right place) ... because of all these things, I’ve been the joyful beneficiary of HUNDREDS of stories over the years - stories from creators who were inspired by the same spirit to go out and create by any means necessary. This may seem frivolous compared to all the pressing work that needs to be done on our planet right now... but it’s still really important. It’s important to remember that WE control OUR OWN creative voices and that nobody can EVER stop you from making stuff. In terms of success and the rest of it, we just got really f’n lucky. #radioman


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