ガゴシアン・ギャラリーのインスタグラム(gagosian) - 7月19日 03時56分


#GagosianQuarterly: “The reclining figure allowed Moore to study the human body in a wide range of variations, simply by altering the arrangement of limbs or the orientation and incline of the head and torso.”
—Sebastiano Barassi

On the occasion of an exhibition of Henry Moore’s sculptures at Houghton Hall in Norfolk, Sebastiano Barassi reflects on the centrality of nature in the work of Moore—as form, material, inspiration, and site. Read the article on “Gagosian Quarterly” via the link in our bio.
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#HenryMoore #HoughtonHall #Gagosian @henrymoorestudios @houghton_hall
(1) Henry Moore, “Three Piece Sculpture: Vertebrae,” 1968–69 (2) Henry Moore, “The Arch,” 1963–69 (3) Henry Moore, “Mother and Child: Block Seat,” 1983–84; installation views, “Henry Moore at Houghton Hall: Nature and Inspiration,” May 1–September 29, 2019. Photos: Pete Huggins. Reproduced by permission of The Henry Moore Foundation


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